Above the Line

I did my day backwards. Starting from a reflective, quiet experience, I ended with a quarreling barrel of noise and anger that fueled the Trump victory.

Story of my life at the moment. Escaping into art before being forced into reality.

Agnes Martin made over 600 paintings exploring emptiness, energy, seeing, and surprisingly, joy.

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The show at the Guggenheim opens with this oddly shaped room hung with the entire ethereal series Islands I – XII from 1979. Here in Martin’s signature style, the paintings explore light and form and formlessness. She challenges us to slow down and look in order to really see. This is the work of art. To make us slow down and think, feel, remember, dream, and aspire.Martin wants you to experience innocence, freedom, perfection attained and resisted.

Here shapes emerge. Stripes of pale blue and gray. Pencil lines. All revealed up close and melt away at a distance. The pieces unite and converse, push against each other for space. They look stunning with the architecture.

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Martin explained that she works in a meditative way, emptying her mind and waiting for inspiration. For her, inspiration is emotional, and the intellect does not produce artwork. So despite what you see, her works are not minimalist, mathematical explorations of line, color, shape. You can see the artist’s hand.

Loving Love, 1999

Untitled, 2004

painterly detail

painterly detail

Instead emotion fills her intention, and she argues the work, like the Abstract Expressionists. And not just any emotion.

Loving Love, 1999

Loving Love, 1999

Martin says she draws a line and chooses to live above the line, with happiness, beauty, and love. By this approach, I’ve been living below the line since the election. After 9/11, art pulled me above the line. I don’t know what will this time.

Going to the Jewish Museum certainly wasn’t the answer. Although ostensibly I went for the John Singer Sargent portrait on loan, aching for his bravura splashes of color after the austere monochromes of Martin.

But I was literally swept into the bright noise of Take Me (I’m Yours). This democratic space lets artists express in the moment, and the below-the-line anger oozed through the rooms.

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With objects to take ranging from pills to lemon water and t-shirts and ribbons to words on paper and words on the wall, I filled the bag provided. My bright yellow ribbon states “It is not enough to be compassionate” in hot pink serif letters. This was the cleanest saying hung for the taking.

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The t-shirt: “freedom cannot be simulated.”

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What tore my heart open was the poster created by Jonathan Horowitz before Election Day. I couldn’t bear to take one, although it was probably the most popular object in the exhibit. Now who’s face will join the portraits?

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Martin’s Taoism that had so calmed and uplifted me vanished immediately.

I don’t know why I decided to follow through on my ticket purchase for Lynn Nottage’s “Sweat.” But I went and found the violent yelling and seething racism of working class plant workers  just more than I could take.

Yes, the play was written and even opened before the election. I bought my ticket when I could assume my pedestal height to empathize with their struggles for work, which in my privileged way I share, so a connection. I couldn’t make it past intermission.

I get it: working class white America is angry. Now liberal America is angry. What do we do with all this anger? How can we get back above the line?

Untitled, 1960, looks like a textile

Untitled, 1960, looks like a textile

Or do we need to blur the lines or weave the lines? Try something new?

detail; see each one of us showing up

detail; see each one of us showing up

 

 

Smiles and Shadows

The New York day was jammed – with heat, with tourists, with smells, and with action.  Three museums, two plays, a movie, and a partridge…

Best of all though was walking the streets and letting New York happen.

Seeing “Skeleton Crew” by Dominique Morrisseau was brilliant enough in itself-so assuredly written and acted, characters thick with their (extra)ordinary struggles that transcend when put in Detroit in 2008.  The genuine acknowledgement of the craft at its peak with sustained applause through two curtain calls.  The wonder of discovering a gloriously talented playwright.

After, I had nowhere to be fast or slow.  As I strolled out the door onto the sweltering street, I smiled at a woman sitting on her stoop (Atlantic is on a residential street in Chelsea), and she smiled.

A tiny women, all bent over, asked, “so how was it?”

“Excellent”…”so good,” a young man and I answered together.

“I’ll get my ticket,” she said tottering toward the theater.

The young man, so pretty and sweet and gay and put together, and I compared notes, admiring the playwright, whom he worked with when he first moved to the City.  Turns out he’s 39, although he looked 23 at most, and an actor.  Of course.   We chatted amiably until parting for the next adventure.

I turned the corner, scanning for Blossom where I was planning to have a vegan burger with the onion ring and vegan bacon inside–crunchy and yummy by the way.  I stopped in front of a movie theater playing “Love and Friendship.”

Nothing feels so good as the cinema on a really beastly day.  Okay, I thought, I’ll just see what time it’s playing.

In 30 minutes.  So I got a ticket, now involving selecting an exact seat.

“You have such beautiful diction,” commented the ticket sales woman.

“I narrate for the blind.”

“See there?  I’m so smart.  I just at knew it,” she said proudly, handing over my ticket as she peered over her cheaters with a smile.

I smiled right back, then went outside to find Blossom.  The girl working as a greeter at the entrance to the theater looked with me across the street.  “I don’t know it,” she mourned, throwing her hands up in resignation.

I went across the street anyway in search and found its tiny storefront camouflaged behind the only tree on the block.

After my burger, I found the same girl stationed by the door, and she seemed delighted I came back to report to her.  We shared a moment about that tree.

The movie based on Jane Austen’s Lady Susan promised to be her most biting, with its true antiheroine.  But alas it was unfinished, and the movie feels the same.  Its sour cynicism is enormously amusing though.

After, even though the evening was still oppressively hot, I decided to walk the 20 blocks to the Broadway theater.  Still in Chelsea, virtually everyone responded to my sparkly glasses and goofy grim with a smile right back.  The tall, slim young man waiting for the 8th Ave bus, the bagel peddler, the barista selling iced, cold brew coffee.

My first sip exploded like a crunched, toasted coffee bean in my mouth, round, smooth, and strong.  Was anything ever so delicious?

Of course, entering the Penn Station  area, then Times Square, sobered me up fast, and I got back to people watching with my game face on.  The two girls, all brown flesh and swagger, in their rainbow-colored, twisted balloon crowns.  The three sailor boys in their Navy whites.  Wait!  One was a girl, her blonde hair braided and tucked under her cocked cap, and her thin, wire-rimmed glasses just cloaking her Times-Square-neon blue eyes.  The long, sweaty lines of theater goers waiting for that first whoosh of theater-cold air and relief.

Summer in New York can be horrible, but its neighborhoods and people never are.  The best part of any day.

Wonderful exhibits.  I was captured by the shadows, creating new works of art.

Moholy-Nagy, Twisted Planes, plexiglass and steel, 1946

Moholy-Nagy, Twisted Planes, plexiglass and steel, 1946 at the Guggenheim

Hellenistic Wrestlers

Hellenistic Wrestlers at the Met

Zeus' head and fist

Zeus’ head and fist at the Met

Greek theatrical masks

Greek theatrical masks at the Met

Following Holden Caulfield

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Following in the footsteps of Holden Caulfield in Central Park today brought out the kid in us all.  Fun fact about Catcher in the Rye–the New Yorker wouldn’t publish a short story version of it for five years because they didn’t want to be seen as encouraging runaways.
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First, we admired the Delacourt clock but missed the animals circling when the clock struck.  Boo.  Our circling would have to come later.

I didn’t know that the Central Park Zoo was formed when people dropped off their animals like goats, and the resulting menagerie grew into what we see today.

 

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Like Phoebe and Holden, we paused at the duck pond.  My friend Helen and I wondered what the turtle was doing with these geese, and we came up with some pretty good stories.  I bet you can, too.

 

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We gawked at the Victorian Gardens carnival, no doubt just as those two kids did.

 

 

 

 

 

 
Then it was time for the circle.  How long has it been since you rode a carousel?  Right in Central Park, a real old fashioned carousel.  Pretty great!
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Apparently, the animals were originally used as a Coney Island draw.  When they were no longer needed for that purpose, the animals were put in storage.  In 1952, right around Holden’s time, the original carousel burned, and new life was given to the horses and other figures in storage.
Another fun story is that the carousel was originally mule-powered.  The barker would 2013-07-13 11.03.36stamp twice for the mule to go, round and round in a circle, and stomp once to stop.  Apparently, children would lie on their stomachs to see underneath the carousel, fascinated to watch the mule work–more of an attraction than the ride itself.

I really got a kick out of our ride.  Thanks to Helen for the treat.  Holden told his sister Phoebe to go for the brass ring, a tradition on the carousel.  If you successfully grab the ring while going around, you got a free ride on the carousel, while grabbing the brass ring of life as well.
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We wandered off the tour at that point, and Helen introduced me to Hans Christian Andersen in the park.  We lucked into a magical storyteller giving us an African origin story, accompanied by a musician playing a kora–a traditional string instrument–that really added to the experience.   Evocative.

 

Our time in the park ended as the day turned tropical and sultry. We ducked into the Whitney for the superb Hopper show and then the Guggenheim for the transformative James Turrell light work.  The nautilus interior of the museum has never been more heavenly.  To my perception, it morphed from 3D depth to impossibly flat.  Weird and almost psychedelic.  If you haven’t seen it yet, make the trip, fight the crowds.  It’s worth it.

Kinky Boots held no surprises, but the vegan Japanese shojin meal at Kajitsu was full of gastronomic delights.  Shojin ryori developed in Zen Buddhist monasteries, based on the avoidance of taking life for their food and on simplicity.  Their tea ceremony grew into shojin ryori, the devotional practice  of the meal I had.

I sat at the chef’s table, and my meal was prepared right before me, the silence in the room only punctuated by the sound of the Chef’s wooden clogs.  Every so often, a server would bring him a tiny cup of something to drink that he would toss back.  Sake?

The quiet, a true rarity in New York restaurants, and the only decoration on the beige-gray wall a sprig of green leaves with small white, feathery buds, diminutive on the long wall reinforced the spare, Japanese aesthetic.

The food was oddly textured to my American palette, tending toward soft, but very flavorful.  Each course had some kind of exotic sauce to mix in myself– one sticky, another thick.  The server explained each dish.  “Chef recommends,” she would say, instructing me on how to mix the sauce and dish.

For the soup course, I mixed kelp broth with many ingredients–seaweed, tofu skins, morel mushrooms (food of the gods!), miso…  I think.  I could hardly understand the server, who was very sweet to explain it all nonetheless.  Etiquette?  Pick up the bowl and slurp.

 

The third course

The third course

I had four courses, considered the tasting menu, served very slowly, and wrapped up with matcha and candies.  The matcha is dark green from the green tea and thickly bitter like espresso.  You start with the candy, then sip.  Chef  whisked the tea for me, delivered it, bowed silently , then moved on.

Matcha and candy

Matcha and candy

Others nearby were having ten courses or chef’s choice.  I was plenty content with four–the end of a feast of a day!